It's got some great tone, but it's anything other than transparent. The Molot compressor probably sits at the far end of that extreme. ReaComp is great, but there are ton of good ones out there, depending on whether you want to compressor to color the tone or not. The TAL-Togu Reverb II is the one I've found that sucks the least, so that's what I generally use.Ĭompressors is where I get all giddy. Blue Cat's Triple EQ is my go to model, but I'm not adverse to using others, and I could probably just get by with just that. I can't live without an EQ, although just a couple of well placed parametric cuts is usually all I need to clean up signal to something useable. (I typically don't use recordings of audio, which of course is quite a different scenario, where I probably couldn't do very well without EQ and compression either.) where notes are too soft or loud, I prefer to adjust the velocities of notes and/or volume envelopes of the instruments). Where problems need to be fixed I prefer to adress them at the root of the issue anyway (rather than its symptoms) with changes to the orchestration (tweaking synth patches) / arrangement (e.g. I can do without EQ and compressor just fine.
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